Label: Les Disques Pierre Cardin - STEC 122,DiscAz - STEC 122 • Format: Vinyl LP, Repress • Country: France • Genre: Rock, Stage & Screen • Style: Soundtrack, Prog Rock
First Adagio (Shadows) - New Trolls - Concerto Grosso Pour Les New Trolls were on heavier and thicker vinyl. Original soundtrack to the film "La Vittima Designata". Nazionale on label side A. Usignolo on label side B. Other Mastering Date : Add Review ultimathulerecords June 13, Report.
The compositions that make up side one do all feature in the film, but all in very different arrangements. Also in the film New Trolls are seen and heard busking an acoustic version of the same song. Great album and great film a wonderful Hitchcock meets Argento type Giallo maybe someday an actual soundtrack album will be released? Reply Notify me Helpful. Un grazie a Luis Bacalov ed ai "New Trolls", per essere arrivati in fondo con chiarezza di idee e di musica.
Notevoli i soli di chitarra, che, confusi tra gli archi, tendono e drammatizzano il discorso nobile e maestoso del tema. Il terzo tempo, Andante con moto, parte con una lunga cadenza di violino, che innerva tutto il tessuto musicale del movimento, una specie di moto perpetuo virtuosistico.
Le parole di Shakespeare, riprese su un altro tema musicale verso il Ill Remember You - Jackie McLean - Swing, Swang, Swingin da voci contrappuntate, chiudono il concerto.
La musica ha fatto da colonna sonora per il film "La vittima designata" - Euro International Films. In English language for everyone Within the opening cover we can read the following note: "The idea of the concert that we present, a Concerto grosso Baroque manner, in which the solo parts were performed by a group underground, Luis Enriquez Bacalov had and proved immediately successful.
To hear it now this block of music, it seems that everything was quiet and smooth fluid how to record a canzonetta: no, it wasn't so easy. Thanks to Luis Bacalov and the "New Adagio (Shadows) - New Trolls - Concerto Grosso Pour Les New Trollsarriving at the bottom with clarity of ideas and music. The concerto is divided into three movements: Allegro, where they immediately contrasted two eighteenth-century themes respectively and underground with a mild flavor deliberately kitsch; develops a discourse of solos with some space for improvisation; then follows the "All" final, where melt the two antithetical sonorities.
Notable guitar solos, which confused between the arches, tend and dramatize the majestic and noble theme. The guitar find cello sound effect obtained after dozens of attempts. The third time, Andante con moto, starts with a long violin cadenza, which innervates all the musical fabric of the movement, a sort of moto perpetuo virtuosic. The words of Shakespeare, reprises on another musical theme to the final entries by voices counter-pointed, close the concert. A queue the song "Shadows": from the theme of the Adagio, is dedicated by us to the memory of pop musician that maybe we love the most: Jimi Hendrix.
The development of "New Trolls" is a paraphrase of the style of performing Jimi. The music has been the soundtrack for the film "The designated victim" - Euro International Films. Same Adagio (Shadows) - New Trolls - Concerto Grosso Pour Les New Trolls what Le Orme was doing with Ad Gloriam.
It's strange both New Trolls and Le Orme released a compilation album of early singles before returning with a new change in direction, in the case of Le Orme it was L'Aurora Della Orme, and New Trolls with their self-entitled released, both in What you have is a four movement suite with orchestra and rock. Everything from rocking, Jethro Tull-like stuff with Vittorio De Scalzi providing flute to ballads, all of this sung in English, and unusual for an Italian band, you can't notice the accent which makes it a bit ironic the thick accents on their next album, Searching for A Night To Remember - Various - Heart 80s Club Classics Land.
They even go into Hendrix territory in the last movement, apparently Nico Di Palo was big on Hendrix he preferred heavy rock, which is pretty obvious with their next two releases. Then the album is topped off with a side-length jam.
The drum solo is a bit unnecessary, even in I wasn't alive inbut well informed on the music scene of the late '60s and early '70sI felt drum solos had been done to death we can thank songs like "Toad", "In-a-Gadda-Da-Vida", and "Moby Dick" for giving too many drummers bad ideas, although I do enjoy those songs, don't get me wrong, but there's only so much you can do with a drum solo, at least be creative if you must, but most just seem to be showing off, as the drummer of New Trolls was doing here.
Drum solo aside, this is a nice historical album to own for those into the Italian prog scene. Reply Notify me 1 Helpful. Have: Want: Avg Rating: 4. Essential hard rock albums 60's and 70's by valeriosarno.
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