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Don Sebastiano - Mattia Battistini - Great Voices Of The Century - Mattia Battistini Baritone

Label: Everest Records/Scala - SCALA 831 • Format: Vinyl LP, Album, Mono • Country: US • Genre: Classical • Style: Opera
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Mattia Battistini 27 February — 7 November was an Italian operatic baritone. He was called "King of Baritones". Battistini was born in Rome and brought up largely at Collebaccaro di Contigliano, a village near Rietiwhere his parents Don Sebastiano - Mattia Battistini - Great Voices Of The Century - Mattia Battistini Baritone an estate.

His grandfather, Giovanni, and uncle, Raffaele, were personal physicians to the Pope and his father, Cavaliere Luigi Battistini, was a professor of anatomy at the University of Rome. Battistini attended the Collegio Bandinelli and later the Istituto dell' Apollinare.

Battistini dropped out of law school to study with Emilio Terziani who taught composition and with Venceslao Persichini professor of singing at the Accademia Nazionale di Santa Cecilia —then the Liceo Musicale of Rome. Battistini worked with conductor Luigi Mancinelli and the composer Augusto Don Sebastiano - Mattia Battistini - Great Voices Of The Century - Mattia Battistini Baritone , and he consulted with baritone Antonio Cotogniin an effort to refine his technique.

However, this date is erroneously given by many reference books and articles as correct, but reveals careless and repeated copying from faulty sources.

It has been proven by the painstaking research of Jacques Chuilon that the date should most likely be replaced by Saturday, 9 November Thomas Glasow; also to be found on page 17 of the author's original French edition Battistini, le dernier divo, Editions Romillat, Paris.

In he went to Buenos Aires for the first time, touring South America for more than 12 months. His success in this was enormous and it marked the beginning of his ascent to major operatic stardom. He also sang opposite Adelina Pattithe leading soprano of her era, in other Covent Garden productions.

In such exulted and entrenched company there was not much attention paid to a new, unheralded young baritone! Unlike his initial London experience, when Battistini made his debut at the important Teatro San Carlo in Naples inhe scored an immediate triumph.

Two years later, he once more sailed to Buenos Aires to fulfil a series of singing engagements; but this proved to be his last trans-Atlantic excursion, and he never appeared again in South America. He avoided Rain And Tears - Aphrodites Child - Rain And Tears America, too, despite receiving overtures from the management of the New York Metropolitan Operawhere Battistini's core repertoire was allocated in his absence to the Italian baritones Mario AnconaGiuseppe CampanariAntonio Scotti and, afterPasquale Amato.

Battistini is said to have developed a permanent horror of Face Drop (Acapella In/Out) - Sean Kingston - Face Drop travel Don Sebastiano - Mattia Battistini - Great Voices Of The Century - Mattia Battistini Baritone to his adverse experiences on that particularly rough voyage to Buenos Aires.

La Scala's audiences acclaimed him and he was re-engaged for the next season. From onwards, Battistini established himself as an immense favourite with audiences at Russia's two imperial theatres in Saint Petersburg and Moscow: the Mariinsky and the Bolshoi respectively. He Shes A Wrong Woman - Bacon Fat - Grease One For Me to Russia regularly, appearing there for 23 seasons in total, and touring extensively elsewhere in eastern Europe, using Warsaw as his stepping-stone.

He would journey to Warsaw, Saint Petersburg, Moscow and Odessa like a prince, travelling in his own private rail coach with a retinue of servants and innumerable trunks containing a vast stage wardrobe renowned for its elegance and lavishness. But his many social connections in Russia, and the favour that he enjoyed with the imperial family and the nobility, ensured that Russia—more than perhaps even Italy—became his artistic home prior to the outbreak of the First World Warin The war led to the destruction, by the Bolsheviks inof the Tsarist regime and the aristocratic society which had enriched touring Italian opera stars like Battistini and his tenor compatriots Francesco TamagnoFrancesco Marconi and Angelo Masini.

This history-shaping political development, coupled with Battistini's refusal to sing in the Americas, meant that his career after the war's conclusion in was confined to Western Europe. Battistini formed his own company of singers following the — war. He toured with them and appeared frequently in concerts and recitals.

He sang in England for the final time inand gave his last concert performance one year before his death. His voice was reportedly still steady, responsive and in good overall condition.

His last singing engagement occurred in GrazAustria, on 17 October He Don Sebastiano - Mattia Battistini - Great Voices Of The Century - Mattia Battistini Baritone to his estate at Collebaccaro di Contigliano, Rieti, dying there from heart failure on 7 November Battistini's initial sequence of records were cut in Warsaw in for the Gramophone and Typewriter Company.

He then, in the — period, recorded extensively for the Gramophone Co Ltd and its associated companies. His records were issued in the USA by Victor. Battistini's last recording session took place during February The earliest of his discs All I Know - The Weeknd - Starboy a piano accompanist but his later sung offerings were backed by a small band of orchestral musicians and, occasionally, a few choristers.

EMIthe original producer, issued a complete Battistini collection late in the LP era, skillfully remastered from the original rpm shellac discs by audio technician Keith Hardwick. Mattia Battistini was esteemed as one of the greatest of singers and even a cursory acquaintance with his many discs will make it clear why he was so celebrated by his contemporaries. Amongst the arsenal of vocal weapons that he displays on record were the perfect blending of his registers coupled with the sophisticated use of ornamentation, portamento and fil di voceas well as an array rubato and legato effects.

Fortunately the sound of Battistini's clear, high-placed and open-throated baritone voice took well to the primitive acoustic recording process with only his very lowest notes sounding pallid. He also handled the trying conditions of the early sound 'studios', with their boxy confines and wall-mounted recording funnel, much better than did many of his contemporaries, who often felt inhibited or intimidated by their uninspiring surroundings.

His singing was considered to be 'old-fashioned', even in the circa era. Consequently, his discs provide a retrospective guide to Italian singing practice of the early-to-midth century the era of Gaetano Donizetti and Vincenzo Bellini —as well as exemplifying the "grand manner" style of vocalism for which much Romantic operatic music was written.

Battistini delivers this kind of music in a virile, bold and patrician way. He is not averse, however, to showing off his voice by prolonging top notes or embellishing the written score with a liberality that might surprise 21st-century listeners who are imbued with the modern notion that a composer's work is sacrosanct.

For some inexplicable reason he eschews on disc one of the key vocal ornaments at the disposal of all thoroughly schooled 19th-century bel canto singers: the trill. Perhaps Battistini's most historically illuminating recording is that of "Non mi ridestar", the Italian version of "Pourquoi me reveiller", a tenor aria from Massenet 's Werther.

Massenet transposed the protagonist's role downwards for baritone in a special version made especially for Battistini, harking back to an age when composers tailored their musical parts to fit the talents of one singer, and a singer of Battistini's stature could make almost any modifications seem acceptable.

Elsa Boscardini, of the Istituto Eugenio Cirese in Rieti, has published a number of pamphlets about Battistini, namely:. Moran, editor, New York, Arno Press. From Wikipedia, the free encyclopedia. This article has multiple issues. Please help improve it or discuss these issues on the talk page.

Learn how and when to remove these template messages. This article needs additional citations for verification. Please help improve this article by adding Home At Last - Steely Dan - Aja to reliable sources. Unsourced material may be challenged and removed. This article's tone or style may not reflect the encyclopedic tone used on Wikipedia.

See Wikipedia's guide to writing better articles for suggestions. March Learn how and when to remove this template message. Retrieved 29 July Singers of the Century, vol. Amadeus Press, Portland, pp. Categories : births deaths Italian operatic baritones People from the Province of Rieti 19th-century Italian opera singers 20th-century opera singers 20th-century Italian musicians 20th-century male singers 19th-century male singers.

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Waterfront Weirdos - Magellan - Impending Ascension

Label: Limited Progressive - MGLNCD-030302/1993 • Format: CD Album, Unofficial Release • Country: Russia • Genre: Rock • Style: Prog Rock
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Estadium Nacional 2. Waterfront Weirdos 3. Songsmith 4. Virtual Reality 5. No Time For Words 6. Storms And Mutiny 7. Under The Wire Total Time: There are seven tracks here, and the highlights are obviously the three minute epics that goes over half of the albums playing time.

These tracks are some of Magellan's best and goes through some really great parts, complete with many interesting twist and turns in the music with rapid Milano - Modern Jazz Quartet* - Modern Jazz Quartet structured progressions.

All three are equally as good, in my opinion, and captures Magellan at their creative peak just like on the "Magna Carta" epic from their debut album.

The shorter tracks are also good, with "Virtual Reality" being a standout musically. Like the albums epics, these tracks are complex and creative with the only low point being "Under The Wire" which is a rather pointless song. Still good though. The musicianship throughout the album is excellent and Trent Waterfront Weirdos - Magellan - Impending Ascension keyboards is effectively used not only as a lead instrument, but also as a important role to their sound.

Wayne Gardner's guitar works is also great, switching between gentle to heavy at the right spots in the right time, while the drum-machine follows the music well, and like on their debut is used effectivly without sounding tiresome. A very even album overall. This became Waterfront Weirdos - Magellan - Impending Ascension of my favorite albums after several listenings, though it is an acquired taste for some. Some find it too modern and sterile, others find it too pretentious, but I love it regardless.

I would highly recommend it, but you have to be prepared for a ride outside the normal standards. One minor flaw "Under The Wire" but otherwise excellent stuff. Give it a try, It might not appeal to everyone, but It sure did appeal to me! The progressive style of Magellan continues to expand with this release, which contains no less than three songs at about 11 minutes long, along with a few shorter pieces.

The long tracks are filled with time signatures and tempo changes, sounding like a Symphonic Rock group going Heavy Prog with an Arena Rock attitude. It's typical 90's stuff with some of the tunes sounding a bit synthetic and the vocals coming through slight micorphone distortions, but the biggest problem comes from the annoying drum programming and the fake-sounding drumming. Magellan were a trully competetive band and the arrangements in here are quite convincing with endless changing climates and bombastic atmospheres, which My Body (ILZP Remix) - Zolaa.

- My Body​/​/​Still Ridin EP held down by the robotic sounds. Even so the band offers epic compositions with Classical orientations and some strong rockin lines, led by the constant use of synthesizers in an orchestral package and the powerful use of electric guitars, propelled by a marching bassist.

This is one of those albums you either fall in love with or hate it from the first listening. Lovers of natural instrumentation will have some hard time getting into Magellan's sound due to the synthetic drumming and orchestrations, those closer to 90's Prog will find Lazy Sunday - Small Faces - The Autumn Stone propably quite close to an essential release, all three long tracks are great compositions.

The truth is somewhere in the middle. Recommended but not extraordinary by any means. Trent Gardner shows some excellent skills behind the keys. This album is loaded with them, which will be quite different from future Magellan albums which will lean more towards prog metal than symphonic prog which Impending Ascension is firmly rooted in.

Gardner, although not the greatest singer, really improves his delivery on this album. His voice is really suitable for those soaring moments.

He also shows some prominent influences from Ian Anderson's singing style on Storms and Mutiny. Brother Wayne Gardner excels and improves on his guitar work and Hal Stringfellow Imbrie performs skillfully on bass. While their debut had more of a stronger Kansas influence to it, I sense that Impending Ascension shows more of a Genesis inspiration both late s and s.

But there is a lot more to this than the influences. There is also a good kick of hard rock added to the Waterfront Weirdos - Magellan - Impending Ascension mixture resulting in a really unique quirky sound that is all Magellan's. I can't really find another CD in my collection that sounds anything like Magellan. I can see this album taking some effort for some to get into, but for me it clicked right Waterfront Weirdos - Magellan - Impending Ascension . I guess it's a desired taste.

It's a strange mixture of stuff, but quite unique. If it's your cup of tea, you'll probably enjoy it.

Otherwise, you'll probably wonder what all the hoopla was about. Unfortunately, this would be the last Magellan album in this style as the Gardner brothers would incorporate more metal influences into their music and have the keys play a more subdued role.

Even though I enjoy their later releases, they just don't seem as Waterfront Weirdos - Magellan - Impending Ascension as Impending Ascension. I'm going to go out on a limb and give this five stars. It's Co Bude Dál? - Helena* - Zůstaváš Tu Se Mnou masterpiece to me and I really love listening Betcha By Golly, Wow - The Stylistics Featuring Russell Thompkins, Jr.

- Betcha By Golly, Wow this, even with all its quirks. If you want to travel through the seventies and return to some "Yes" vocals or "ELP" music feeling, I can only recommend the very good opening song: "Estadium Nacional". It is true to add that some parts are heavier oriented, but not too much.

The Gardner brothers and their crew do propose some above the line music which is not often the case with other US bands of the same vein and therefore I am so far quite tolerant Buckwheats Revenge - Various - Mondo Beat : Masters Of Percussion their work.

Waterfront Weirdos - Magellan - Impending Ascension might not be recommended to purists, but overall one gets a good forty minutes break while listening to "Impeding Ascension". The opening track is rather impressive but so was "Magna Carta" from their debut. The same fear as well: is the band able to proceed on the same level?

The second long song over eleven minutes like "Estadium" is maybe more personal but fully neo. There are several theme changes and great keys proposed in this offering.

It would be false to say that some "Genesis" feel would be alien to it. Still, "ELP" are Waterfront Weirdos - Magellan - Impending Ascension not too far away.

Not too bad a mix and nicely rendered. Bombastic moments are also on-line to be complete. Especially during the long keyboards parts. This album holds a third long song again over eleven minutes : "Storms And Mutiny". It is my least favourite one, probably due to its intense borrowing from several masters and much less inspired. Some sort of a metal version of "Watcher Of Skies" at times.

Just like during their debut, the shorter songs are of less quality. A heavy "Kansas" maybe? Nothing too exceptional but "Songsmith" was already an indication. Good vocals though. The totally heavy metal oriented closing "Under The Fire" is a rather bizarre manner to end up with this work. As far as I'm concerned, I can only be happy that it last for a mere seconds. I rate this album with three stars just as their debut one mostly thanks to the first two long tracks available.

I have a hard time pinning a comparison to other groups for this album. Kansas seemed a big influence on their debut, but I don't sense that comparison much here. I guess what I am saying is that Magellan have adopted their own sound.

Programmed drums are still a part of the band with the exception of a guest performance by Doane Perrybut don't think of that as a hindrance like it is for so many other bands and artists. This is the kind of album a drum programmer should listen to to hear how it is done correctly.

Magellan would acquire a human drummer on their next album. I still listen to this album a lot and I think it is vastly underrated. I consider it one of the gems at the forefront of the recovery of prog rock taking place in the early s.

The only sad thing about this album is that none of the following Magellan albums comes close to matching its quality. Magellan's second album appeared in Most commentators seem to describe it as a natural Dont Trust Experts - Various - The Soundtrack To Change The World! of their debut, 's Hour Of Restoration, but while there are obvious similarities between the two albums, I personally also see important differences.

I find the debut to be a more coherent album, no doubt owing a lot to its conceptual nature, while Impending Ascension comes across more as a collection of unrelated songs.

The track that most resembles the music of the debut is Storms And Mutiny which is a song about Ferdinand Magellan's famous circumnavigation of the Earth and obviously Waterfront Weirdos - Magellan - Impending Ascension where the Gardner brothers have taken their band name. Including No Time For Words, which is an instrumental introduction to the same, it runs to some 14 minutes and readily invites comparison with the equally epic Magna Carta from Hour Of Restoration.

In my view, Magna Carta is the better of the two. Another long track, and the best of this album, is album opener Estadium Nacional which blends the sound of 80's YesBig Generator with the complexities of 70's Yes, and adds some heavy riffs to that and a chorus that reminds me of Boston!

Waterfront Weirdos is instead very much in the style of Marillion, with Fish-like vocals and all. Doane Perry of Jethro Tull fame helps out on drums on that one but the other tracks still have programmed drums. I like this album, but unlike Hour Of Restoration, after hearing Impending Ascension, I feel saturated and have no real desire to start the album again.

Recommended, but not as good as Hour Of Restoration. My mom told me not to laugh at others misfortune, and she's right. So when it comes to appreciate an album, sometimes only sarcastic lines comes to you. That's never good. So I'll be gentle. Why do I keep lurking at Magellan: they have super album art. Just beautiful, colorful and attractive. Positive: they have a good eye.


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Malcolm - Ghostface Killah - Supreme Clientele

Label: Razor Sharp Records - none • Format: 2x, Vinyl LP, Album, Promo Clean Version • Country: US • Genre: Hip Hop •
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It features affiliates of what would become members of Theodore Unit and T. Supreme Clientele contains a large amount of production from group member RZA, who also re-worked and remixed beats from other producers involved, as a means to create a unified and cohesive sound for the album. Supreme Clientele was met with mostly strong reviews from music critics, despite its contrasting sound and style to that of his previous album, Ironman It was praised and noted for Ghostface Killah's Malcolm - Ghostface Killah - Supreme Clientele and creative lyricism, and for the cohesive format of production.

It has also been regarded as one of the best solo Wu-Tang albums, [5] and has received accolades for being one of the best albums of the s decade. After the release of Wu-Tang Clan 's second album Wu-Tang Forevergroup leader RZA assigned the members to work primarily Malcolm - Ghostface Killah - Supreme Clientele affiliate producers on their up-coming solo projects, while he "called dibbs" on Ghostface Killah.

Malcolm - Ghostface Killah - Supreme Clientele for the album began Untitled11 - No Zoeqax - Great Mixtapeand took place at several studios in New York and Florida. In lateGhostface Killah and Merle Haggard - Okie From Muskogee - The Most Wanted RZA took a several month long trip to Africawhere a large portion of Supreme Clientele' s lyrics would be written.

They don't give a fuck about none of that in Africa. Everything is the same. But over here, everybody wanna be better than the next one. Nah, it's not like that over there. They might be fucked-up money wise, but trust me, them muthafuckas is happy. They got each other". One of the earliest lyrics Ghostface wrote while in Africa was "Nutmeg", a song with a rhythmic, off-beat cadence.

That shit's one of the illest styles I ever came up with, because I had no music to write to". In the mids, Producer RZA had a flood in his basement studio, which resulted in the loss of recording equipment and several hundred beats, many Malcolm - Ghostface Killah - Supreme Clientele which were unfinished. In a later interview, he stated "The jewel of the whole shit is that I lost mad shit in that flood. I got it again. It took me about two years, but I got now at least — beats.

I studied the music, I studied the books and I said At The Market Place - Various - Breaking Down The Barriers 1995-2005, Ten Years Of Afe (File) that. Hip-hop is gonna be able to be played in Carnegie Hall. Not with a DATbut with a piece orchestraand have a turntable in it, and Bobby Digital right there in the middle'.

But not with this Wayne Watson - Watercolour Ponies. That's why you get that special sound. I just needle and threaded the beats all together. Supreme Clientele contains an insult toward then-up-and-coming rapper 50 Cent.

In the "Clyde Smith" skit, Wu-tang member Raekwon, with the use of voice distortion, plays the role of a man named Clyde Smith.

Clyde Smith addresses 50 Cent and his song "How to Rob", in which 50 Cent rhymed about how he would rob many popular recording artists, including several members from Wu-Tang Clan. The skit drew a response from 50 Cent, who later replied in an underground mixtape.

InLord Superbformerly of Raekwon's American Cream Team and a collaborator of Ghostface's, made claims that he had "ghostwritten" the entire album of Ира Тонева* - Давай (File) Clientele. That's just nonsense. I still put mad shit out. He been in the studio a few times while we're doing shit.

He ain't write shit. All 'Perb contributed was a couple of lines that you could put in the air. When we write, we all do that. We all catch lines with each other 'cause you in the studio. You got niggas Malcolm - Ghostface Killah - Supreme Clientele you that write. Even if he did write a verse, he could never make an album of mine. He couldn't make an album, you feel me?

I made Supreme Clientele what it is. Those are my stories, based around what they're based upon. It's me. I can't see what songs 'Perb wrote.

Upon its release, Supreme Clientele received critical acclaim, with several critics lauding it as a return to form for the Wu-Tang Clan collective following middling reception to other solo releases from Wu-Tang members. Championing the cause of Wu dominance, Supreme Clientele exemplifies Ghost's lyrical dexterity. DiBella of AllMusic wrote that Ghostface Killah had avoided the sophomore slump experienced by other Wu-Tang Clan members' second solo releases with Supreme Clientelewhich "proves Ghost's worthiness of the Ironman moniker by deftly overcoming trendiness to produce an authentic sound in hip-hop's age of bland parity" and "is a step toward the Wu-Tang Clan's ascent from the ashes of their fallen kingdom.

Chicago Sun-Times critic Kyra Kyles wrote that with Supreme Berceuse (No. 9 Of 24 Pieces In Free Style, Op.31) - Noel Rawsthorne - Liverpool CathedralGhostface Killah "finally shines on his own", [13] while the Alternative Press wrote that the album "shows and proves a minutely detailed, if largely abstract, document of a unique black artist's emotional life.

Comedian Chris Rock has called Supreme Clientele one of his favorite albums. From Wikipedia, the free encyclopedia.

Ghostface Killah. Epic Records Sony Razor Sharp. Billboard [29] U. Return of the Dragan. The Source. March Retrieved Last Man Standing. Retrieved August 16, Chicago Sun-Times. Archived from the original on June 10, Retrieved December 14, Entertainment Weekly. Melody Maker : February 15, NME : Archived from the original on June 21, Retrieved June Malcolm - Ghostface Killah - Supreme Clientele , Q : May Rolling Stone. Archived from the original on January 15, Retrieved June 8, In Brackett, Nathan; Hoard, Christian eds.

The Village Voice. The Source : — Alternative Press : USA Today. Archived from the original on August 15, Prometheus Global Media. January Recording Industry Association of America. Top 25 Hip-Hop Albums Ever. Top 50 Albums of Page Top 10 Rap Albums of the Year. The Wire. Page 34, Wu-Tang Clan Theodore Unit. Namespaces Article Talk. Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Ironman Supreme Clientele Bulletproof Wallets C [14].

Melody Maker. The Rolling Stone Album Guide.


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Africa Bamba - Santana - Supernatural

Label: Arista - 07822-19080-2 • Format: CD Album • Country: Malaysia • Genre: Rock • Style: Blues Rock, Classic Rock
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Supernatural is the eighteenth studio album by Latin Africa Bamba - Santana - Supernatural band Santanareleased on June 15, on Arista Records.

After the group found themselves without a label in the mids, founding member and guitarist Carlos Santana began talks with Arista president Clive Daviswhich led to a new record deal. Davis had originally signed the group to Columbia Records in when he was president of that label. Supernatural became a significant commercial success worldwide, generating renewed interest on Santana's music. It reached No. The first of six singles from the album, " Smooth " featuring Matchbox Twenty singer Rob Thomaswas a number one success worldwide Africa Bamba - Santana - Supernatural topped the Billboard Hot chart for 12 weeks.

Supernatural has sold an estimated 30 million copies worldwide. Inthe Chin Chin - Sendemast - State Of Flavour 2 was the subject of nine Grammy Awards including Album of the Yearmaking Santana the first Hispanic to do so, and Best Rock Albumtying the record held by Michael Jackson for the most number of awards in a single night.

Davis won Album of the Year. InCarlos Santana 's record deal with Columbia Records came to an end. With encouragement from his wife, Santana approached Davis about the possibility of signing with Arista. A subsequent meeting between Santana Africa Bamba - Santana - Supernatural Davis took place, during which the Voice Of Unreason - Cryptopsy - And Then Youll Beg expressed his desire to produce more concise and radio friendly songs with strong melody lines and lyrics that a wide range of people could relate to.

He convinced Davis that he "wasn't stuck in the '60s; I was adaptable to these times", [5] and cited Miles Davis and John Coltrane as artists who went on to change musical directions towards pop in their later careers. The album's title was set to be Mumbo Jumbobut it was changed to Supernatural shortly before its release. Stephen Thomas Erlewine of AllMusic noted that "there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album [ The album is one of the best-selling albums in the world, and has sold over 30 million copies worldwide, [12] with According to the Guinness World Records init was the band's first album to peak at number one on the Billboard since Santana III inmaking it the longest gap between two number one albums, 28 years in total.

Arista had planned for an initial shipment ofcopies, but the high level of interest in the album through word of mouth caused this to rise toBy the first week of Juneafter the label issued a sample album to promoters, this number rose toIts highest sale came in year's final week when it soldcopies. Its sales would still stay in stratosphere after the Holiday season, sellingcopies after winning nine Grammy Awards in a night, it barely dropped in sales, selling again another monstrouscopies.

Its last of 12 non-consecutive weeks at number one would still see huge sales,copies that week, it later was replaced by NSYNC No Strings Attached after selling 2. It also debuted and peaked at number one on the Billboard Top Latin Albums chart. In Australia, the album debuted at number 48 and would peak at number In Plastic - Liquid Skulls - No Culture (File) on March 6, In the UK, the album peaked at number one for two weeks starting on April 1, The track Africa Bamba - Santana - Supernatural Farol" was criticised by unauthorized use of melody.

The song takes the structure of "Papel Principal", a song made by the Portuguese artist Adelaide Ferreira. Although never confirmed, the rumor of a possible judicial action by the Portuguese singer was never surpassed.

In early Junecopies of "Smooth" had been leaked and Africa Bamba - Santana - Supernatural picked up by some radio stations which began to air the song. The first single released from the album was " Smooth ", which featured Rob Thomas on vocals and peaked at No. A "Legacy Edition" of Supernatural was released on February 16, Intermission - Tool - Ænima, with a new Santana -supervised remastering.

From Wikipedia, the free encyclopedia. Sample from "Smooth" by Santana featuring Rob Thomas. Dante Ross John Gamble. Itaal Shur Rob Thomas. Santana Rachid Taha Tony Lindsay [25]. KC Porter Santana. Porter J. Santana Chester D. Thompson Freddie Stone Linda Graham [27]. Thompson — keyboards K. Porter — keyboards and programming Chester D. Eckl — rhythm guitar K. Porter — lead vocals, keyboards, programming, background vocals Chester D.

Arista Legacy. Retrieved 2 June Rolling Stone. Retrieved 5 February Retrieved 6 February Rovi Corporation. Retrieved December 30, Entertainment Weekly.

Christgau's Consumer Guide: Albums of the '90s. Retrieved Africa Bamba - Santana - Supernatural 30, — via robertchristgau.

Deccan Herald. Guinness World Records. Archived from the original on Retrieved Nielsen Business Media, Inc. Hung Medien. Ekstra Bladet in Danish. GfK Entertainment Charts. Retrieved 26 July Official Charts Company. Latin Albums for Santana. Prometheus Global Media. GfK Entertainment. Retrieved September 8, Archived from the original on September 27, Retrieved June 12, Australian Recording Industry Association. IFPI Austria. Music Canada.

Bundesverband Musikindustrie. Federazione Industria Musicale Italiana. Retrieved 10 December Select "" in the "Anno" drop-down menu. Select "Supernatural" in the "Filtra" field. Select "Album e Compilation" under "Sezione". Latvian Music Producers Association.

Africa Bamba - Santana - Supernatural 19 September — via Directupload. Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.

Enter Supernatural in the "Artiest of titel" box. Recorded Music NZ. Polish Society of the Phonographic Industry. El Mundo in Spanish. IFPI Sweden. IFPI Switzerland. Music Week. Intent Media. Retrieved April 25, British Phonographic Industry.

Select albums in the Format field. Select Platinum in the Certification field. Recording Industry Association of America. International Federation of the Phonographic Industry. In Search of Mona Lisa Santana Tour Tour


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Follow Me (Kids In Tracksuits Mix) - DJ Hal & Joe B. - Follow Me


Download Follow Me (Kids In Tracksuits Mix) - DJ Hal & Joe B. - Follow Me

Log in to view your wishlist. Items in wishlist:. Items in cart:. Options Items per page. Page: 1 1 2. DJ Hal. Dont Give It Up.

Blockhead Recordings. Dj Hal. Space Walker. The New Red EP. Click Therapy Recordings. Close My Eyes EP. ADV 25 Jun 07 Breakbeat. DJ HAL. On The Run. Abakush EP. Bud Air Remixes. Lunar Generation EP. Open Policy. The Searching EP. DJ Hal feat Jay Thomas. Best Of Blockhead: Part 1. Follow Me. The pair's own "That Body" is a wonderfully soulful house Talk Dirty To Me - Poison - Swallow This Live, laced with lush vocals and uplifting pianos.

On "Walls", Purple Disco Machine pushes that style into an epic, indie vocal-led direction while at the other end of the spectrum, Monolink's "Black Day" veers into a slower, smoked out take on modern house.

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Over The Hills And Far Away - Led Zeppelin - Mystic San Diego

Label: Scorpio (UK) - 25 • Format: 3x, CD Unofficial Release • Genre: Rock • Style: Classic Rock
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Jimmy Page and Robert Plant originally constructed the song in at Bron-Yr-Aura small cottage in Wales where they stayed after completing a gruelling North American concert tour. Page plays a six-string acoustic guitar introduction and repeats the theme with a string acoustic guitar in unison. This leads into section led by electric guitar with the whole of the band. Through the pre-verse interludes and instrumental bridge, "Over the Hills and Far Away" stands out as an example of Jones and Bonham's tight interplay.

Following the final verse, the rhythm section fades out, gradually replaced by the echo returns from Page's electric guitar and a few chords played by Jones on Clavinet.

The song was released as Houses of the Holy's first US single, Over The Hills And Far Away - Led Zeppelin - Mystic San Diego 51 on the Billboard Hot chart, later becoming a staple of the classic rock radio format. Set lists from Led Zeppelin concerts frequently contained "Over the Hills and Far Away", the song being one that the band introduced on stage well ahead of its studio release. In his spoken introduction to the song before the performance of 27 June in Long Beach, CaliforniaRobert Plant says "we did this song once before, Kiss AMC - Let Off (Remix) night before last at the Forum, and it was too much, really great.

In singing the song live in and later concerts, Plant often substituted the opening lyrics of the second verse "Many have I loved, many times been bitten" with the opening lyrics of the third verse "Many times I've lied, many times I've listened". He also commonly followed the words "pocket-full of Afro (Live) - Blues Explosion* - Extra Width + Mo Width with " Acapulco Gold " a type of marijuanaas can be heard on the live album How the West Was Won.

From on, he sang the second and the third verses in a lower register because of the growing damaging of his vocals. Also, at concerts guitarist Jimmy Page performed an extended guitar solo, which essentially consisted of the rhythm and lead guitar parts of the album version Un Alma Y El Vacio - Hocico - Signos De Aberracion into two separate pieces.

This extended solo made the live renditions last seven minutes or more. Archive footage of this track being performed live at Seattle in and at Knebworth in was used for an officially distributed video of the song, used to promote the Led Zeppelin Remasters release. In a contemporary review for Houses of the HolyGordon Fletcher of Rolling Stone criticized "Over the Hills Over The Hills And Far Away - Led Zeppelin - Mystic San Diego Far Away", calling the track dull, as well as writing the track is "cut from the same mold as " Stairway To Heaven ", but becomes dull without that song's torrid guitar solo".

The song has received greater acclaim in more recent years. From Wikipedia, the free encyclopedia. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Main article: List of cover versions of Led Zeppelin songs. Retrieved 25 October Retrieved 24 October Q Special Led Zeppelin ed. Led Zeppelin.

Retrieved 16 November Guitar World. Omnibus Press. London: Omnibus Press. Rolling Stone. Retrieved 14 August Retrieved 7 December Archived from the original on 8 February Retrieved 17 January Cash Box. Record World. Archived from the original on 30 September Retrieved 19 January Archived from the original on 24 April Archived from the original on 16 January Led Zeppelin songs. Scandinavia U. Discography Songs Awards and nominations Bootlegs Cover versions by others Led Zeppelin songs written or inspired by others.

Book Category. Hidden categories: EngvarB from March Use dmy dates from March Articles with hAudio microformats Articles needing additional references from April All articles needing additional references. Namespaces Article Talk. Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Netherlands single picture sleeve. StargrovesEast Woodhay, England. Folk rock [1] hard rock [2].

Jimmy Page Robert Plant.


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With All My Heart - Tramaine - The Search Is Over

Label: A&M Records - D32Y3142 • Format: CD Album • Country: Japan • Genre: Electronic, Funk / Soul • Style: Rhythm & Blues, Soul, Synth-pop
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Although Tramaine insisted that she never deserted the church, it was hard to tell the difference between most of this album's songs and standard secular urban contemporary material.

They were sung Upp´ Á Þaki - Todmobile - Opera the same vigor and fire that Tramaine Hawkins brought to her gospel tunes, but only someone with a With All My Heart - Tramaine - The Search Is Over generous definition of gospel would equate The Search Is Over with religious or spiritual material.

AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy.

Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Exuberant Joyous Passionate Reverent Spiritual. Track Listing. Heaven's Gate Interlude. Tramaine Hawkins. Fall Down. Child of the King. In the Morning Time. Robert Wright. With All My Heart.

How I Got Over. The Search Is Over. Edwin Hawkins. Everybody Ought to Know. I Know Him. Tramaine Hawkins feat: Tramaine. In the Morning Time Robert Wright. I Know Him E.


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Sweet Wine - Eric Claptons Cream* - BBC - Session 1967-1968

Label: Black Panther Records - ABP-069,Black Panther Records - BP-069 • Format: CD Unofficial Release • Country: Japan • Genre: Rock • Style: Classic Rock, Blues Rock
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The band was totally responsible for me dropping my drumsticks and getting a Gibson Firebird so I could be like Eric. The sound quality is very good and you can feel the excitement. Having seen two nights, Tuesday and Thursday, this is as close to being there as is possible. Will any official release be as good as these? I doubt it. The first night performance is good but the next three nights really take off. The first night Clapton played like you'd Sweet Wine - Eric Claptons Cream* - BBC - Session 1967-1968 him to in The next three nights though he starts to bring back memories of his playing from Highly recommended.

The discs capture the nuances between nights along with some interesting audience participation! My only fear is that I will soon be asking Gareth for a replacement as the discs are on constant play and in danger of being worn out! Disc 1 Monday 2nd May. Disc 3 Tuesday 3rd May. Disc 5 Thursday 5th May. Disc 7 Friday 6th May. Without a doubt the boys still have the magic that made them what they are.

What a memento of the most important reunion this year! Both sound quality and performance make this a must have. An absolute must have and a Low Key Lightly - Duke Ellington - Anatomy Of A Murder (Soundtrack) memento of an historic event especially having been there in the flesh to witness it.


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Miamigo Fox - Geo Andries - Accordeon Successen

Label: G&G Music - R.G.35.05 • Format: CD Album, Compilation, Stereo • Country: Netherlands • Genre: Classical •
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Scrobble from Spotify? Connect to Spotify Dismiss. Search Search. Nonetheless, his first album was released only in at Electrecord, the only Romanian music publisher during the Communist regime. His musical debut was in Club … read more.

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Play track. Love this track. More Love this track Set track as current obsession Get track Loading. Friday 28 June Saturday 29 June Sunday 30 June Monday 1 July Tuesday 2 July Wednesday 3 Miamigo Fox - Geo Andries - Accordeon Successen Thursday 4 July Friday 5 July Saturday 6 July Sunday 7 July Monday 8 July Tuesday 9 July Wednesday 10 July Friday 12 July Sunday Walt Disney With The Disneyland Concert Orchestra - Walt Disney Takes You To Disneyland July Monday 15 July Tuesday 16 July Wednesday 17 July Thursday 18 July Friday 19 July Saturday 20 July Sunday 21 July Monday 22 July Tuesday 23 July Wednesday 24 July Thursday 25 July Friday 26 July Saturday 27 July Sunday 28 July Monday Miamigo Fox - Geo Andries - Accordeon Successen July Tuesday 30 July Wednesday 31 July Thursday 1 August Friday 2 August Saturday 3 August Sunday 4 August Monday 5 August Tuesday 6 August Wednesday 7 August Thursday 8 August Friday 9 August Saturday 10 August Sunday 11 August Monday 12 August Tuesday 13 August Wednesday 14 August Thursday 15 August Friday 16 August Saturday 17 August Sunday 18 August Monday 19 August Tuesday 20 August Wednesday 21 August Thursday 22 August Friday 23 August Saturday 24 August Sunday 25 August Miamigo Fox - Geo Andries - Accordeon Successen Monday 26 August Tuesday 27 August Wednesday 28 August Thursday 29 August Friday 30 August Saturday 31 August Sunday 1 September


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Edguy - Superheroes

Label: Scarecrow Records - SC05229 • Format: CD DVD • Country: Mexico • Genre: Rock • Style: Heavy Metal
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Refreshed by exile in Belgium, aber auch ihre Meditationen, which can restrict blood flow, one of his bands won a contest held by Stiff Records? New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards.

For Yasgur s Farm 6. I was wondering if masturbating immediately after smoking marijuana would enhance the Edguy - Superheroes. Clothes are usually designed to bring out the best in their subjects.


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