Category: 320kbps

Resurrection (Woman In Panic Resample) - [F.E.V.E.R.] - Resurrection


2009
Label: Ragingplanet - AS/RP047 • Format: CD Single Enhanced • Country: Portugal • Genre: Electronic, Rock • Style: Avantgarde
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The Breeders - Safari


1992
Label: 4AD - BAD 2003 CD • Format: CD EP • Country: UK • Genre: Rock • Style: Alternative Rock
Download The Breeders - Safari

The Breeders are an American alternative rock band based in Dayton, Ohioconsisting of members Kim Deal rhythm guitar, lead vocalsher twin sister Kelley Deal lead guitar, backing vocalsJosephine Wiggs bass guitar, backing vocals and Jim Macpherson drums.

The earliest incarnation of the band was formed by Kim Deal and Tanya Donelly in as a side-project alongside their full-time bands Pixies and Throwing Muses respectively. Kim's sister Kelley was brought into the band as a third guitarist though at the time, she knew almost nothing about playing the instrument in to record the Safari EP, and shortly thereafter Donelly left to concentrate full time on her own new project, Bellyleaving Kelley Deal as the sole lead guitarist, while Britt Walford left as well around the same time.

None of their early releases were a commercial success, but the band had developed a cult following and praises from people such as Nirvana frontman Kurt Cobainwho cited Pod as one of his all-time favorite albums, [1] the band prepared to record their next album. Inthe Pixies broke up, leaving Deal to concentrate on The Breeders as her full-time job. Jim Macpherson was recruited on drums, cementing the Breeders' best-known line-up. The band's most commercially successful album, Last Splashwas released in in the midst of the early 's alternative Thomas Brown - HOT24 EP boom.

The album went on to be certified platinum by the RIAAand is best known for its hit single " Cannonball ". A year after the success of Last Splashdrug and alcohol issues forced the band into hiatus inwhile both the Deal sisters did separate stints in rehab in the following years.

During the band's hiatus, Kim Deal The Breeders - Safari the short-lived alternative rock band The Ampsrecording a single album, Pacer inbefore eventually changing the band name back to The Breeders. In the late s, Kim and Kelley reformed The Breeders with a new line-up including members of the band Fear and released two more albums, Title TK in and Mountain Battles in InKim and Kelley had announced that the "classic" line-up including Josephine Wiggs and Jim Macpherson had reunited for the first time since the s for a new series of tours celebrating the 20th anniversary of the band's hit album Last Splash.

They have since released their fifth album The Breeders - Safari Nerve inthe "classic" Breeders line-up's first full-length album together since 's Last Splash.

The Breeders' history began when Kim Deal, not fulfilled in her subordinate role as The Breeders - Safari of the Pixies, [3] began writing new material while the Pixies were touring Surfer Rosa in Europe with Throwing Muses. As neither band had plans in the immediate future, Deal discussed The Breeders - Safari side projects with Throwing Muses guitarist Tanya Donelly.

Tracks on the demo tape included early versions of "Lime House", "Doe", and "Only in 3's". The two had first met when Perfect Disaster supported the Pixies in London in Deal Fascination - John Woodhouse And His New Magic Accordion* - Mijn Mooiste Melodieën Steve Albiniwho had worked on the Pixies' album Surfer Rosato record the album.

Walford agreed to play on the album under the pseudonym "Shannon Doughton". A week of rehearsal took place at Wiggs's house in BedfordshireEngland, and Pod was The Breeders - Safari in ten days in Edinburgh, Scotland.

Released on 28 May[8] Pod, although not commercially successful, received positive reviews from alternative and mainstream critics alike; The New York Times ' Karen Schoemer wrote: "The angular melodies, shattered tempos, and screeching dynamics recall elements of each of the women's The Breeders - Safari bands, but Pod has a smart, innovative edge all its own. I wish The Breeders - Safari was allowed to write more songs for the Pixies, because ' Gigantic ' is the best Pixies song, and Kim wrote it.

Following The Breeders - Safari the members of The Breeders returned to their original bands. The Pixies released Bossanova in and Trompe le Monde inbut by the end of were becoming less active. The Pixies became inactive in mid, at which time drummer Jim Macpherson was recruited and The Breeders became a full-time band, [8] opening for Nirvana on their European tour.

Last Splash appeared in August to widespread acclaim and commercial success. Three singles were released from the album, including "Cannonball", which made it to no. Inthey toured supporting Nirvana on their In Utero tour, and inLast Splash received a platinum certification by the Recording Industry Association of America.

Also inthe band secured a prime spot on the Lollapalooza tour. InKelley was involved in a drug bust, which put The Breeders on an indefinite hiatus. In OctoberThe Amps released the album Pacer. They made an unsuccessful attempt at recording a third studio The Breeders - Safari in Kelley Deal rejoined the band the following year and wrote and recorded songs with her sister, although the only material released during this period was a cover of The Three Degrees' take Yesterdays - Dave Brubeck - Essential Standards James Gang's "Collage", recorded for The Mod Squad soundtrack in The Deal sisters recruited new personnel to play several live shows inand returned to the studio with guitarist Richard Presley, bass player Mando Lopez, and drummer Jose Medeles to record the third Breeders studio album, Title TKwith Steve Albini.

The Breeders also performed in an episode of Buffy the Vampire Slayer in early They were approached by the production staff after they had been playing the show's theme, written The Breeders - Safari Nerf Herderas a regular part of their concert set.

The episode is entitled " Him ", and aired November 5, ; they sang their song "Little Fury" at the Bronze. Mountain Battles was released in April on 4AD. Team producer Gareth Parton.

Louis roller derby league. In a June article, Stereogum reported that the band was in their Ohio studio recording a follow up to Mountain Battlesand that Courtney Barnettwho was in town for the Nelsonville Music Festivalrecorded some backup vocals for one of the album's songs. A new single, " Wait in the Car ", was released on October 3,and is part of an upcoming seven-inch series to be issued by 4AD. The song will be available on three different seven-inch records, limited to only 1, copies.

Rolling Stone described the song as "a classic Breeders bruiser, clocking it at two minutes, and packed with punchy drums, sugar-rush power chords, and lead riffs". From Wikipedia, The Breeders - Safari free encyclopedia. This article is about the alternative rock band. For the alleged ecoterrorist organization, see The Breeders - Safari medfly attack. For the film, see Breeders film. American alternative rock band.

Aint Nobody Here But Us Chickens - Various - Roots Of Rock N Roll of "Iris," the eighth track on their first album Pod.

Main article: The Breeders discography. The Encyclopedia of Popular Music. Omnibus Press. September Archived from the original on December 2, Retrieved September 7, The New York Times. Retrieved November 22, August 29, Electrical - Horisont - About Time Retrieved May 8, July 6, Retrieved October 11, Retrieved September 15, Retrieved July 31, Archived from the original on April 26, Retrieved February 19, Rolling Stone.

March 16, Retrieved April 14, December 7, Retrieved December 7, BreedersVideos official channel. Retrieved January 19, June 3, Retrieved September 25, October 3, Retrieved October 6, January 9, Retrieved January 9, Retrieved October 19, The Breeders. Live in Stockholm Safari Head to Toe Sweet Revenge - Motörhead - Bomber to Fatal. Namespaces Article Talk. Views Read Edit View history.

In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use and Privacy Policy. The Breeders in Problems playing this file? See media help. Wikimedia Commons has media related to The Breeders.


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Libiamo Ne Lieti Calici - Various - Klassik Träume (Grosse Klassik & Traumhafte Melodien)


2010
Label: Sony Music - 88697771352 • Format: 2x, CD Compilation • Country: Germany • Genre: Classical •
Download Libiamo Ne Lieti Calici - Various - Klassik Träume (Grosse Klassik & Traumhafte Melodien)

Sign In. This is a 1 page sample. You'll receive all 5 pages after purchase. Your high-resolution PDF file will be ready to download in 7 available keys. O Holy Night. Adam, Adolphe Charles. Mary, Did You Know? Lowry, Mark. Someone You Libiamo Ne Lieti Calici - Various - Klassik Träume (Grosse Klassik & Traumhafte Melodien). Capaldi, Lewis. Carey, Mariah. Cohen, Leonard.

All Is Found. Frozen 2. The Little Drummer Boy. Simeone, Harry. Groban, Josh. Have Yourself a Merry Little Christmas. Easy Piano. Rudolph the Red-Nosed Reindeer. Autry, Gene. Winter Wonderland. Anderson, John David. Last Christmas. At This Table. Menzel, Idina. Into the Unknown End Credit Version. Let It Go. Dion, Celine. A Star Is Born []. Francesco Maria Piave. Musicnotes, Inc. La Traviata. Twilight Movie. Messa da Requiem, No. Mi Libertad - Miguel Bosé - 14 Autenticos Exitos All.

A wonderful piece - but you cannot play this as a piano solo - it needs to be played with a singing accompanist. Most of the music is only intermediate, accept for a more advanced intro and bridge, but the rhythm and speed of the piece could be a little tricky. This is a great, full, arrangement though - a must buy! Did you find this review helpful?

LOG IN to comment on this review. I Moeilijkheden - Orkest De Volharding - Untitled that it is so much more compact than the original duo and choir version. There is Libiamo Ne Lieti Calici - Various - Klassik Träume (Grosse Klassik & Traumhafte Melodien) one or two typo with accents, which is much less than what I usually get on music edited by English speaking companies.

I am very happy with this score. Musicnotes Pro Send a Gift Card. Toggle navigation. Save on Every Order! Musicnotes Pro. Become a Member Today! Add to Cart. Includes digital copy and unlimited prints. Transpose 7. Bb Major Orig. Quick Details. Musicians Like You Also Purchased. Last Christmas Wham! Add to wish list. The Arrangement Details Tab gives you detailed information about this particular arrangement of Brindisi Libiamo Ne' Lieti Calici - not necessarily the song.

Not the arrangement you were looking for? View All Arrangements. Displaying All Reviews 2 In order to write a review on digital sheet music you must first have purchased the item. Overall: Difficulty: Quality of Arrangement: Accuracy:. Publishing administered by: Musicnotes, Inc.

My Account. About Musicnotes. Subscribe to our Newsletter Stay Connected. We think your country is: Russian Federation Change Country. Voice 1 Voice 2 Piano. Brindisi Libiamo Ne' Lieti Calici. Libiamo, libiamo ne' lieti calici, che la belleza infiora. Song Duet. Giuseppe Verdi. La Traviata Twilight Movie.


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Life In Fear Pt.1 - Forced Opinion - Life In Fear (File)


2013
Label: Grindcore Karaoke - GK#446 • Format: 2x, File FLAC • Genre: Rock • Style: Grindcore, Hardcore, Experimental, Noise
Download Life In Fear Pt.1 - Forced Opinion - Life In Fear (File)

Best viewed without Internet Explorer, in x resolution or higher. A Matter of Life and Death supposed perhaps a before and after in Maiden's neo-discography. However, I'm in dissonance with him, since Dance of Death must be included; would be a trilogy in any case. A Matter of Life and Death is an album to sit on the sofa with an evening coffee, so you can contemplate each of its nuances and guitar layers in the course of dusk.

You can see that they're trying to sound old here, like in old days, as a mixture of Piece of Mind and Powerslave. It's an error to demand the members Life In Fear Pt.1 - Forced Opinion - Life In Fear (File) the same as 30 years ago. Everything evolves. You won't expect or demand the same from guys of year-olds at their peak to year-olds sirs with grandchildren.

The best thing they ever did is playing the whole album live, so don't complain. I can't conceive that a Maiden fan gets bored when Spring Moederfokker - Jack Parow - Eksie Ou hears the "All the nations are rising The production is raw and direct, but crystalline at the same time, especially in introductions.

Personality: that's what Maiden did record on this disc, they don't Life In Fear Pt.1 - Forced Opinion - Life In Fear (File) to please their fans, the music is much more than that, the easiest thing to do after Seventh Son is to repeat that Life In Fear Pt.1 - Forced Opinion - Life In Fear (File) over and over; but friends, they're not like that, they carry the musical restlessness in their veins.

Anyone who wants to listen the eighties Maiden forever, just put those old records and period. I enjoy when someone comes here to contrarian saying bands like Priest and Maiden have been finished since 90' and 92' respectively.

It's not like I'm going to consider that they are lacking criteria when it comes to ranting some album of a great band, just leave it to the rats who pullulate through the network calling fanboy to anyone who's put in his front as if gives him a supreme value. The "No Prayer of the Dying" matter will fall under its own weight, it's just a mediocre record compared to previous ones.

Also, someday, it will wise up. Since I'm a Latino fan, something curious I had to experience is that many people around me who are not metalheads have come to say that Maiden has a "romantic" style, and they say it for songs like Different World, No More Lies and several ones from Brave New World.

Overall, I think Maiden has a small problem regarding repetitions of riffs and choruses, there are songs that should last less than they are. Some consider it their last masterpiece, on Clarinet Concerto No.1 - Carl Maria von Weber - Weber other hand, we have aggressive streams who consider it as a failed experiment which they could not emerge from.

In any case, I love Iron Maiden, but I think they're neither the panacea of musical excellence nor the supreme originality of it. That is. I understand that in order for a band to make it, there needs to be a certain personal dynamic in play. The late, great Ronnie James Dio called it "a democracy with a dictator.

Unfortunately it seems in recent history, plenty of examples have popped up when control should be taken away from the current team captain and handed off to someone with a better mindset.

Between this dreadful album and the fact that the Death On The Road DVD had seizure warnings as a result of Steve Harris's failings as an editor and director, it was at this point where Steve Harris was no longer fit to rule Iron Maiden. Upon hearing this album Rod should have locked Steve in an insane asylum, scrapped the whole thing save for a few songs and hand the reigns over to the new emergency braintrust of Dave Murray, Bruce Dickinson and Adrian Smith.

Then maybe put Steve DiGorgia on bass or something. Keep rewriting The Trooper? Or, you could just, you know, actually write something good AND original. Blind Guardian and High On Fire don't seem to have much problem with that these days. It wasn't that original of an idea Steve. I've always felt that Steve is still secretly bitter that we didn't fall head over heels in love with The X Factor and Virtual XI, convinced that it was only the singer problem, not the songs.

While I will admit there are some hidden gems from that era, the fact is most of those songs were trash; the failed result of an attempt to try and mix Candlemass with Genesis. No, the problem that Bruce wasn't around. If Bruce was around the fans would gobble this shit up just like they did his solo albums. The one he made right before he rejoined us was fucking groove metal worship!

Remember when Maiden stuffed albums with epics and they didn't sound like one another? Why don't you write more songs like that, Steve? Then again he'd would probably run that into the ground as well. With that being said, there are some good songs here.

Believe it or not, two of them do follow the aforementioned formula. In the case of the former, the clean intro works because it supports the song musically; the tension of waiting on those boats to arrive on the beaches at D-Day and more than likely get chopped in half by a machine gun in seconds is expressed wonderfully here. Greater Good works differently lyrically, but it also just works in a way I can't describe.

If the "X Factor formula" was consolidated to these Life In Fear Pt.1 - Forced Opinion - Life In Fear (File) songs the album would have worked a lot better, and we, the fandom might still be convinced that the emperor is at least still wearing clothes. But the real highlight of this album is The Pilgrim, which seems to only get better every 8 months or so I decide to put it on. Especially with that fantastic soaring chorus! Out of the Shadows is a decent ballad I suppose, and Lord of Light has a solid riff once the clean intro goes away.

Or at least it's a solid recycling of the "How Life In Fear Pt.1 - Forced Opinion - Life In Fear (File) Tears" riff. Finally, and I realize this is petty and slightly non musical but I'm taking at least 20 points off for the worst decision this band made since choosing Blaze Bayley as a lead vocalist: playing the entire album live.

We can't possibly omit any of it live! That is a decision that can only be made when rabid fan reaction demands it. What's especially funny is the usual tradition of Maiden releasing a live album for the tour of the most recent album, usually containing a few tracks from the album in question.

A perfectly reasonable gesture, but even 10 years later, a live Life In Fear Pt.1 - Forced Opinion - Life In Fear (File) from this tour has yet to surface. I can only imagine the reason is because Rod came to the same conclusion I did. There is absolutely nothing wrong with playing a serviceable helping of new material live, just as long as it doesn't suck monkey dick. Stay the hell away from this mess.

It was so bad that Maiden had Tutto Apposto - Johnny Marsiglia & Big Joe - Orgoglio do a tour with Powerslave, Rime of the Ancient Mariner and Moonchild just to recover from it. They still never recovered from it creatively, as they would go on to make double albums of this nonsense.

Somewhere, David St. Hubbins and Nigel Tufnel are laughing their asses off. Hard Truth, Chemical Wedding is a groove metal album, but that's for another day. I have not been exactly consistent in my views regarding Iron Maiden, though my reviews for both The Final Frontier and most recent album The Book of Souls should suggest that my tolerance for post-reunion Maiden it was kind of a reunion, even if they didn't break up is rather limited.

My point of contention for both of those albums was mainly that they lacked great ideas and tried to make up for it by just putting more ideas into songs, resulting in long and aimless music that couldn't capture any sense of excitement or emotion. What about A Matter of Life and DeathLife In Fear Pt.1 - Forced Opinion - Life In Fear (File) ask? Not that bad, but not very good either. The problem starts to appear when you do what I'm doing now: playing the last songs first.

I find that there are many albums that can pull the wool over your eyes by starting out with the best or quickest or most immediate song, then hiding the weaker songs behind it, almost as if they were seeking protection from their stronger brethren. Great song, right? And followed by lumpy, overlong, mid-paced numbers. Dance of Death had two of those quick, strong songs at the beginning, so at least we know there are a few worthwhile numbers there. Here, we've got 'Different World' kicking things off in brisk fashion, leading straight in with a riff and Bruce is singing after 15 seconds, although he does repeat the chorus about 10 times at the end.

The tactic becomes apparent when you look forward to The Final Frontierwhich stupidly put a horribly long intro at the beginning and exposed the songs for what they are - flabby and directionless.

So, like I said, I'm playing the last songs first: you know, the last four songs which total between them. I would be sceptical if any band ended an album with songs averaging over 8 minutes, because - after all - there's a reason why some people don't like Opeth. In that time, there is probably 20 minutes that I deem extra, in the sense that those moments don't help the song or just aren't very Sprite - DJ Hatta - Round Of Night Vol.02. Seven and a half of those minutes come from 'The Reincarnation of Benjamin Breeg', which shows how clearly the band were thinking, since they released that snoozefest as a single to promote the album.

The instrumental section of that song is one of the highlights of the album, but the loooooooong verse at the beginning just does nothing and does it a lot. Then 'Lord of Light' is not up to much, while Antic - Pulse / One Nose / Converter Legacy' has some interesting ideas, particularly the kind of creepy build up, although some of the parts seem thrown together quite roughly, as if proudly proclaiming "We still know how to change direction suddenly" and "Can you hear that we didn't have this album mastered?

To pan out for a moment from the stricken second half of the album, Maiden didn't do everything badly on A Matter of Life and Death. Partly relying on the same strengths as Epígrafe Para A Arte De Furtar - José Afonso - Traz Outro Amigo Também preceding release and partly open to the flaws of the successor, there are good ideas and even good songs spread throughout its sprawling length.

For most of the musicians, it's a case of there being two sides to their performance. For Steve Harris, he doesn't overdo the bass work and attempt to solo during the guitar solos he saved that abomination for 'Isle of Avalon' and he provides limber backing during the uptempo moments; however, there is an excess of quiet introductions and interludes that were surely thought out by the bassist since he has a writing credit on every song.

I mean, if Harris ever considers putting out a smooth jazz album, I would consider buying it, just as long as he doesn't do it under Iron Maiden's name. It becomes almost Life In Fear Pt.1 - Forced Opinion - Life In Fear (File), since each song seemingly must start and finish with this reflective interlude, like someone on the autistic spectrum who must untie and re-tie their shoelaces before they begin something new.

Though Dave Murray is a bit sleepy, the guitarists are pretty good, chucking in a couple of decent riffs in most of the songs and scoring with solos more often than not. Nicko McBrain does well when there's call for energy, yet can't do a lot for the gentler moments: I can picture him From A Flat To C - Various - The Golden Era Of Jazz out a part that he could play with one hand so he could drink with the other.

Bruce Dickinson has a good run at things as well, thankfully providing some charisma and drama despite a few preachy phrases, although 'These Colours Don't Run' is a vocal and lyrical turd created mostly so he could wave the Union Jack on a song other than 'The Trooper'. I'm pretty much done with complaints now, so there's just time to say that the first half of the album is much better than the second, vocals of 'These Colours Don't Run' excepted.

There's a danger that Maiden might have caused some of their fans to get excited, because 'The Longest Day' is an epic that actually kind of works as such, belligerent theme and mood combining stormily together to form one part atmosphere and one part heaviness. When Iron Maiden are good, they're still pretty good, making A Matter of Life and Death a listenable, yet sometimes tedious, album. It's alright I guess. However, we know what comes after Hot on the heels of 'Dance of Death' came 'A Matter of Life and Death', a much more well rounded and succinct prog effort from the Maiden lads.

Sporting a better production than its predecessor, AMoLaD is more organic and live sounding. The music elaborates on what 'Dance of Death' last accomplished, but improves on all prog elements to stunning effect, all whilst maintaining the classic refined Maiden trademark sound.

The album is of course laden with interweaving guitar solos from the trio of Smith, Murray, and Gers and the dominant bass from Harris.

Nothing really new in the performance department, but rather what makes this album so special is how well Maiden have managed to create their own brand of progressive metal in this album. What makes this album a real winner is the masterful songwriting.


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Blue Mink / Suzi Quatro - Cuidado = Watch Out / Quiero Ser Tu Hombre = I Wanna Be Your Man


1974

Download Blue Mink / Suzi Quatro - Cuidado = Watch Out / Quiero Ser Tu Hombre = I Wanna Be Your Man

Well you got the hands of a man and the face of a little boy blue And when you stand you're so grand there's a case just for looking August October - Various - Untitled you You're so young, you could have been the devil's son You're so young, but like a hang up I'll be sad when you're old and you're gone. Watch out You know the forty-eight crash come like a lightning flash Forty-eight crash, forty-eight crash And the forty-eight crash is a silk sash bash Forty-eight crash, forty-eight crash Forty-eight crash 2x Come like a lightning flash, a lightning flash And it's a silk sash bash, a silk sash bash, that's the forty-eight crash.

You've got the kind of a mind of a juvenile Romeo And you're so blind you could find that your motor ain't ready to go You're so young, you're a hot shot son of a gun You're so young, but like a teenage tear away soon Blue Mink / Suzi Quatro - Cuidado = Watch Out / Quiero Ser Tu Hombre = I Wanna Be Your Man be torn and you'll run. You know the forty-eight crash comes like a lightning flash Forty-eight crash, forty-eight crash And the forty-eight crash is a silk sash bash Forty-eight crash, forty-eight crash Forty-eight crash 2x Come like a lightning flash, a lightning flash And it's a silk sash bash, a silk sash bash That's the forty-eight crash Forty-eight crash 5x.

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Sixteen Going On Seventeen - Leland Hayward, Richard Halliday, Richard Rodgers, Oscar Hammerstein 2n



Label: Columbia Masterworks - KOS 2020 • Format: Vinyl LP, Album, Reissue, Stereo • Country: Canada • Genre: Stage & Screen • Style: Musical
Download Sixteen Going On Seventeen - Leland Hayward, Richard Halliday, Richard Rodgers, Oscar Hammerstein 2n

Rodgers and Hammerstein changed the face of American musical theater by integrating the elements of drama, music and dance as never before. Their year partnership began in with Oklahoma! Rodgers began his career collaborating with another Columbian.

As a freshman student at Columbia College, he composed the music for the Varsity Show ofwith lyrics provided by a former Columbia journalism student named If Its Alright With You - Tina Turner - Keeps On Rockin Hart.

Hart's deteriorating health led to the breakup of their partnership in Richard Halliday attended the opening of Oklahoma! Hammerstein, the grandson and namesake of an operatic impresario, also participated in the Varsity Show during his undergraduate years at Columbia College.

Hammerstein had a successful career before beginning his partnership with Rodgers. After Hammerstein's death inRodgers wrote the music and lyrics for No Stringsfor which he earned two Tonys. Rodgers's centenary in was celebrated around the world with Sixteen Going On Seventeen - Leland Hayward, retrospectives, performances, new recordings of his music, and a Broadway revival of Oklahoma! Rodgers left behind a legacy of more than published songs, forty musicals, and numerous works for film and television.

Brilliant lyricist who, with Rodgers, transformed musical comedy. Supporting public presentations of Richard Halliday student work. Columbia's Sixteen Going On Seventeen - Leland Hayward, as seen by those who have studied, taught, and worked here. Columbians have changed the world and how we see it.


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The Nightingale - Miranda Sex Garden - Madra


1991
Label: Mute - STUMM91 • Format: Vinyl LP, 45 RPM • Country: Europe • Genre: Classical • Style: Renaissance, Vocal
Download The Nightingale - Miranda Sex Garden - Madra

Miranda Sex Garden were a music group from LondonEngland. They were active from to It was a madrigal with a beat, mixed by Danny Rampling. It took only two days to record. On their second release, Iristhe sound evolved into a blend of their madrigal-styled vocal harmonies with sounds reminiscent of folk musicgothic rockdark waveethereal waveand industrial music. Kelly McCusker left the band in late to start a career in classical music.

Their sound became increasingly dark and sophisticated over the years. In they reformed with some new members and released their final album Carnival of Souls in April The group's The Nightingale - Miranda Sex Garden - Madra changed significantly over time; only Katharine Blake remained in the group for their entire run.

The performers on Laura (Whats He Got That I Aint Got) - Joe Stampley - Joe Stampley last album, Carnival of Soulswere:. From Wikipedia, the free encyclopedia. Miranda Sex Garden. Nielsen Business Media, Inc. Categories : English gothic rock groups Musical groups from London British dark wave musical groups Musical groups established in Musical groups disestablished in Mute Records artists Dream pop musical groups.

Namespaces Article Talk. Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy.

A cappellaclassicalgothic rockdark wavefolk musicethereal wave. Mute[1] Sugardaddy Records [2].


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Magic Of Love - Russell Watson - Encore


2002
Label: Decca - 473 030-2 • Format: CD Album, Special Edition • Country: New Zealand • Genre: Electronic, Pop, Classical • Style: Modern Classical, Downtempo, Vocal
Download Magic Of Love - Russell Watson - Encore

With that blockbuster recording, he defined himself as the pop-opera crossover sensation of the 21st century. The appropriately titled follow-up ENCORE will likely be regarded with suspicion by those with their feet planted firmly Dan Welton - Lisopain either the pop or operatic world.

Magic Of Love - Russell Watson - Encore whose tastes fall somewhere in between are exactly the folks who've already made him a superstar, and it is for them that ENCORE was made. The really striking thing is how comfortable and convincing he sounds both on these pop-oriented tunes and on such operatic chestnuts as "O Solo Mio" and "Ave Maria. AllMusic relies heavily on JavaScript.

Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.

Features Interviews Lists. Streams Videos All Posts. Release Date April 23, Genre Classical. Styles Vocal Music Classical Motörhead - Overkill. Recording Date March, - February 6, Track Listing. Va pensiero. Giuseppe Verdi. Russell Watson. The Prayer, song for the film Quest for Camelot. Ruggero Leoncavallo. Pelagia's Song. Stephen Warbeck. You Are So Beautiful, song.

Somewhere, song from "West Side Story". Che gelida manina. Giacomo Puccini. E lucevan le stelle. Magic of Love. Catch the Tears. Diane Warren. Lost in the Snow. Celeste Aida. Where my heart will take me, song theme for television series Enterprise. Pokarekare Ana. Nabucco, opera Nabucodonosor.

Va pensiero Giuseppe Verdi. Russell Watson feat: Lulu. Captain Corelli's Mandolin, film score. Pelagia's Song Stephen Warbeck. Spotify Amazon. Che gelida manina Giacomo Puccini. Tosca, opera. E lucevan le stelle Giacomo Puccini. Catch the Tears Diane Warren. Aida, opera. Celeste Aida Giuseppe Verdi. Where my heart will take me, song theme for television series Enterprise Diane Magic Of Love - Russell Watson - Encore.

Russell Watson feat: Hayley Westenra.


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King Of The Scene - Brimstone Howl - Blowhard Deluxe


2013
Label: Dead Beat Records - DB 109 • Format: Vinyl LP, Album • Country: US • Genre: Rock • Style: Blues Rock, Punk
Download King Of The Scene - Brimstone Howl - Blowhard Deluxe

Show all posts. Side A Unlock Through My Head. Pick Up The Slack. It's Not Your White Dress - Fairport Convention - Rising For The Moon Her Hand Side B.

Talking Trash. Dream They Say You Are Crazy Hide Daily Procedure Something I Gotta Do Brown Recluse. Kingons "Come To Rise" 2. Black Cat. Madhouse Blues. Mirror Mirror Side B. Bop Like That. The World. House Of Ivy Rock N Roll Ghost Stay Wild. The Brothers Gross are a geeked-out garage punk outfit with roots in Illinois and Indiana. If you catch them in the act live, you can inhale or exhale between songs Toe-tappin' from the title track to the end.

Sweet time change in-between, on "Runaway. Includes download. Ready To Roll Runaway What Have You Got. King Of The Scene. Chicken Coup In The Sky. Too Cool For This Shit. Pills Call My Name. Same Suit, Different Color. Bellamy Salutes. False Consciousness. Uncanny Valley. Eternal Stare. Fatal Times. Rat Says. Outside Revenge Looks Like Freedom. These Rare Moments. Au Revoir Tristesse Side B. No One But Myself. Crevasse II. Back and Forth.

Hit of the Week. Physical Therapy. Too Bad. Bleed A Lot. Push it up. What's Your Name? Bear Faced Gianni (22) - Chimera. The Ghost Of Spider Culhane. Now That You're Tame. God's Speed Dude. Drugs and Roses. The Walking Contradiction. Back To My Heart. Funeral Fun Side B. King Of The Scene - Brimstone Howl - Blowhard Deluxe Assholes.

World Of No Access I'm Not A Brick. Older Posts Home. Subscribe to: Posts Atom.


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The Allman Brothers Band - Brothers And Sisters


1989
Label: Polydor - 424 584-1,Polydor - 24 29 102 • Series: ROCK, La Música, Los Intérpretes - 16 • Format: Vinyl LP, Album, Reissue • Country: Spain • Genre: Rock, Blues • Style: Blues Rock, Southern Rock
Download The Allman Brothers Band - Brothers And Sisters

Released a year after Eat a PeachBrothers and Sisters shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, "Ramblin' Man" and "Jessica," helped drive it to the top of the charts for a month and a half and to platinum record sales.

This was the first album to feature the group's new lineup, with Chuck Leavell on keyboards and Lamar Williams on bass, as well as Dickey Betts ' emergence as a singer alongside Gregg Allman. The tracks appear on the album in the order in which they were recorded, and the first three, up through "Ramblin' Man," feature Berry Oakley -- their sound is rock-hard and crisp. The subsequent songs with Williams have the bass buried in the mix, and an overall muddier sound. The interplay between Leavell and Betts is beautiful on some songs, and Betts ' slide on "Pony Boy" is a dazzling showcase that Медляк - Балтийский Клан - Первый Сборник Питерского РЭПа everybody.

Despite its sales, Brothers and Sisters is not quite a classic album although it was their best for the next 17 yearsespecially in the wake of the four that had appeared previously, but it served as a template for some killer stage performances, and it proved that the band could survive the deaths of two key members.

AllMusic relies The Allman Brothers Band - Brothers And Sisters on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country.

Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In The Allman Brothers Band - Brothers And Sisters . Introspection Late Night Partying.

Rainy Day Relaxation Road Trip. Romantic 16 Stone Pig - Various - Korn Family MP3 Sex All Themes.

Features Interviews Lists. Streams Videos All Posts. Recording Date October, - December, Maverick Road Trip Partying. Track Listing. Wasted Words. Gregg Allman. The Allman Brothers Band. Ramblin' Man. Dickey Betts. Come and Go Blues. Jelly, Jelly. Pony Boy. Wasted Words Gregg Allman. Ramblin' Man Dickey Betts. Spotify Amazon. Come and Go Blues Gregg Allman.

Jelly, Jelly Gregg Allman. Pony Boy Dickey Betts.


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