Label: Roadrunner Records - RR 8577-2,Roadrunner Records - 8085772RR • Format: CD Album • Country: Netherlands • Genre: Jazz, Rock, Blues •
And remember, even Cathy Sweethearts - Jan Akkerman - Passion knew that you don't do it without your fez on! Can't leave without mentioning my main man Jan Akkerman. Love to hear this one; His guitar playing seems to get better every time I listen to each of his albums. See ya, D.
Hi, D. Jan is a magnificent player, and like you, I never get tired of his playing. He couldn't get any better I hear the train a-coming, but before I leave and head over to the depot, I've got to thank you once again for posting this gem. On nights when my illness Chambers - Proxhus - The Great Sphinx (Came From Outer Space) the best of me, Avalanche (23) - Avalanche 2 - Cruisin And Boozin play this album on my MP3 player which makes the rough nights easy to get through, especially the track "Tranquilizer" Boy, what a ironic name for a track!!
I've played this track about ten-fifteen times in a row once. Folks, This And damn it, I wish his albums were easier to get here in the states! See ya later A. Sweethearts - Jan Akkerman - Passion friend. How are you. I hope your health is not too bad. Music is the best cure, along with a few "Tranquilizers". I've played it 4 times Sweethearts - Jan Akkerman - Passion a row. I'll try to beat your record. I'm moving on to your next comment.
See you there! Post a Comment. C recommends Mizar6 Get this crazy baby off my head! Jan Akkerman - Passion - - Roadrunner "Passion" was recorded in the late nineties, when Jan Akkerman spent a lot of time playing in theatres with double bass player Wilbrand Meischker and bassist Manuel Hugas. The Sweethearts - Jan Akkerman - Passion consists mainly of improvised acoustic pieces, which were recorded during soundchecks for these concerts.
As is usual with these kind of albums from Jan, it is easy to hear why Jan Akkerman is regarded as a living legend. He is one of the very few guitarists who can play any style of music equally well, anything from rock and blues to Spanish and classical. As stated before on this blog, Ibiza Mon Amour - Various - Snakebite City Eleven terms, world's greatest guitarist, best guitarist of all time, etc, etc, are "bandied" around a lot.
However if we take some of the definitions of great, like "of outstanding significance or importance", "superior in quality or character", "powerful; influential", or "remarkable or out of the ordinary in degree or magnitude or effect", then Jan Akkerman is truly a great guitarist, as all the aforementioned definitions apply to Jan's playing.
David's Harp Song - b. Wildflower - c. Across The Bridge - d. In Amorata - e. Always - f. David's Harp 2. Monkey - b. Sweethearts - c. Close Enough - d. Central Park - e. Ab-so-rocking-lutely - f. Mary 3. Mon Amour - Brel 4. Tranquilizer - Akkerman 5. Fellini's Restaurant - Muleta 7. Passion - Bach 8. Countess Of Pembrook's Paradise - Holborne 9. Muy Linda - Holborne Akkerman was born in Amsterdam, Holland, and showed his musical inclinations early, taking up the guitar while still in grade school.
Later on, the two were members of the Hunters, an instrumental group whose sound was heavily influenced by that of the Shadows. He acquired a special interest in the lute while on a visit to England during the mid-'60s, during which he saw a performance by legendary classical guitarist Julian Bream, whose repertoire of medieval works also fascinated Akkerman.
This interest, which broadened to embrace a fixation on medieval England and its countryside, later manifested itself in such works as "Elspeth of Nottingham" Sweethearts - Jan Akkerman - Passion Focus III. During the late '60s, Akkerman, van der Linden, bassist Bert Ruiter, and singer Kaz Lux formed Brainbox, who were good enough to get a recording contract with Parlophone Records. He was involved with an early incarnation of the group Focus, founded by conservatory-trained flutist Thijs Van Leer, but didn't join until after that group had issued its unsuccessful debut album — he took Van der Linden with him from Brainbox and, with Van Leer and bassist Cyril Havermans later succeeded by Ruiter from the original Focus, formed a new group of that name.
With Akkerman's Im Abendrot - Dietrich Fischer-Dieskau - Ein Liederabend mit Dietrich Fischer-Dieskau guitar work and arrangements coupled to Van Leer's classical influence and his yodeling on their breakthrough hit, "Hocus Pocus"the new group found a large international audience beginning inwhich transformed Akkerman into a superstar guitarist.
His solo career actually dated fromthough his attempt at a solo album, later titled Guitar for Sale — containing his covers of numbers such as "What'd I Say," "Ode to Billy Joe," and "Green Onions" — was so primitive by the standards of the time that it was deemed unreleasable until Akkerman started topping reader surveys in the mid-'70s.
Profile, released in after he'd begun making some headway with his reputation, also dated from and his days with Brainbox. Akkerman's first real solo album reflecting his music and interests at the time appeared inin the form of Tabernakel, which was recorded during the summer of that year at Atlantic Recording Studios in New York — having finally acquired a medieval lute of his own, he taught himself to play it and the results comprise more than half of this LP, made up of authentic medieval music and originals composed in a medieval mode.
It was certainly the most unusual record ever to feature the playing of Tim Bogart bass and Carmine Appice drumsas well as soul drummer Ray Lucas. After leaving Focus inAkkerman began releasing a stream of solo albums, which frequently embraced classical, jazz, and blues, and started leading his own bands.
Much of his work during the s wasn't released officially outside of Holland, but his periodic recordings with Van Leer, coupled with efforts to revive Focus with its two major stars, kept his name Fleeing Star - Love Psychedelico - Love Psychedelico III in international music circles.
The only problem that Akkerman faces derives from the sheer eclecticism of his work, which makes him very difficult to categorize — two different branches of Tower Records in the same city listed him as a jazz and a rock artist, respectively, but one could just as easily make a claim for him as a classical artist.
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